Wednesday, March 3, 2010

Renoir Exhibit LACMA

By Angela Rocco DeCarlo

Pierre –Auguste Renoir Exhibit
Los Angeles County Museum of Art (LACMA)
February 14 – May 9,2010

Pierre – Auguste Renoir,(1841 – 1919) the French Impressionist painter known for his luminescent female nudes, was a towering figure in the art world along with other Impressionist greats such as Monet and Cezanne. This ticketed LACMA Renoir exhibit; February 14 – May 9, 2010 – illuminates Renoir’s later works as a postimpressionist whose influence on modern painters, such as Picasso, has received lesser discussion.

This exhibit, which opened this past fall at the Grand Palais, Paris, is the first to focus on the mature works of Renoir, in his last years. The exhibit moves on to the Philadelphia Museum of Art June 17. The show brings together about 80 of his paintings, drawings and sculptures from collections in Europe, the United States and Japan. In addition, works by Pablo Picasso, Henri Matisee, Aristide Maillol and Pierre Bonnard demonstrate Renoir’s often overlooked influence on their art. A startling echo can be seen in Picasso’s female figures after viewing Renoir’s nudes painted in his 20th century career.

Many years ago a friend and I took our seven young sons – ages 3 to 12 - to see a glorious Renoir exhibit at the Art Institute of Chicago. The huge canvases of beautiful early career nudes shown as though lighted from behind. On the way home in the proverbial stationwagon of that era I asked, of no one in particular, “Did you like the show?” “Yes,” came the immediate reply from the way way back. “We counted 47 nudes.”

Alas, this show would perhaps have disappointed. I counted less than fifteen nudes, which are different in their light reflective qualities from early works. Nonetheless, it is an exhibit for serious art students as well as casual observers. The curators of the exhibit wish to demonstrate how Renoir’s curiosity and determined art self-instruction influenced his late works.

According to the experts, in October, 1881, Renoir decided, after finishing his Luncheon of the Boating Party, one of the most famous and admired Impressionist paintings, to achieve his ambition to go to Italy. He planned to visit Venice, Rome, Florence and Naples to view the paintings of Raphael, Titian and other Renaissance masters. He did just that and was as awed as any ordinary tourist, except his titanic talent allowed him to utilize what he had absorbed in creating something different in his later paintings.

That something different did not always please his admirers. American Impressionist painter Mary Cassatt is said to have written to a friend that Renoir was painting pictures of “enormously fat red women with very small heads.” Visitors today may see for themselves whether that critique holds true. The later nudes are characterized as “monumental” in describing the appearance of out-of-proportion lower limbs.

As Renoir aged he was ravaged by severe rheumatoid arthritis and moved to Cagnes, in the South of France, for the milder climate. Though unable to walk or even stand, with hands deformed by his disease, he nonetheless continued to explore his vision to create new perspectives of his art. He often used his three young sons and a nanny, Gabrielle, as his models. His later paintings includes the 1902 masterpiece, Reclining Nude ,which recalls Rubens and Raphael themes of idealized spring and fertility.

In 1913, Renoir is said to have stated he was about to reach the goal he’d set for himself with his trip to Italy 12 years before; “I’m starting to know how to paint.”

Perhaps this is the mark of genius when curiosity and ambition cannot be faded by age or infirmity. Renoir is said to have painted until his last days.

Not a bad life for an old man –using his talent to capture his vision of the naked model before him. Beauty such as he created does not age or wither…tastes may change and new perspectives open to works unappreciated previously. This exhibit encourages modern viewers to learn and enjoy the enduring creativity of a great painter.

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Los Angeles County Museum of Art (LACMA)
5905 Wilshire Blvd.
Los Angeles CA 90036
Tickets - $20; admission $12 –under 17 years free, seniors, $8
Free second Tuesday of each month;Target Free Holiday Mondays. After 5 p.m.
daily “pay what you wish” program.
Hours – Monday, Tuesday and Thursday, noon-8 p.m.; Friday, noon-9 p.m.
Closed Wednesdays.
1-323-857-6000
www.lacma.org

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Angela Rocco DeCarlo, copyright, 2010

Monday, March 1, 2010

A Day at the Races


Santa Anita Park, Arcadia, CA
By Angela Rocco DeCarlo, copyright, 2010


While it doesn’t look like a scene from an old Marx Brothers movie anymore, a day at the races is still a fun enterprise, whether you know the score or not. Recently a group of school chums from Chicago wanted to try their luck. We spent a pleasurable few hours in the grandstands trying to figure out betting techniques, while discussing long-ago prom dates. Some were more successful than others in both the racing results and prom picks. Nothing to be done about the long-past prom, but it may be worthwhile to attend the free classes offered at the track for some assistance.

Santa Anita Park, Arcadia, California, is approximately 14 miles Northwest of downtown Los Angeles, and about an hour from Orange County (location of Disneyland) and is noted for its picturesque mountain view setting. The current racing schedule runs from Wednesdays through Sundays with varied times for the first race. It’s best to check the day you want to go for the starting times. The first race can be noon, 12:30 or 1:00 p.m.

Good to know: on Thursdays seniors are admitted for free and on Fridays everyone is admitted for free – general admission - with the added incentives of $1 hot dogs, beer, soda, popcorn and coffee. There is a fee for parking.

The Park is a beauty and there’s plenty to see and do besides the actual races. The free Seabiscuit Tram Tour, which I took some years ago, was fascinating. It starts early – 8:30 a.m. and 9:45 a.m. – but is worth the effort. Reservations are required: (626) 574-6677. Tram pick up is at Clocker’s Corner and takes visitors to the stable area, receiving barn and paddock gardens. There’s a look at what is said to be racehorse Seabiscuit’s original stall and barn, and some areas used during the filming of the movie, Seabiscuit. I found the look inside the jockey’s room and silks room
fascinating as “backstage” insights are always revealing. Locker rooms for any
sport are utilitarian places giving a view of the working world of the athletes, not always a glamorous place.

For those who want to have a leg up on how the race track betting operates there are some free classes. On the day I recently visited there was “Beginners’ Seminar” at noon. The class was a 45-minute presentation covering the basics of using the facilities of the park. The class took place at the East Paddock Gardens. Weather permitting the class takes place every race day at Santa Anita.

Jim Guinn’s “Simple Techniques” classes are held every Sunday in the Baldwin Terrace from11:30 a.m. until the feature race of the day. The program includes early speed, current form, Beyer speed pars & Beyer figures, late speed on the grass, and much more. Extensive materials and free track programs are provided.Sessions are free.

“Big ‘CapDay” is Saturday, March 6, celebrating the 75th Anniversary of the race track. All fans, with paid admission, while supplies last, will receive a free 75th anniversary wall clock. There is a $500,000 guaranteed pick 4, which is billed as the payoff of a lifetime.

Santa Anita Park is a pretty place - good for reminiscing or dreaming of creating tomorrow's fortune...good luck.


Santa Anita Park
285 W. Huntington Drive
Arcadia, CA91007
www.oaktreeracing.com
www.santaanita.com